If you haven’t
read my essay on Season One, please access the 2017 posts and scroll down until
you get to it.
My dad has a
teacher friend who posted a warning on Facebook to all her followers that 13
Reasons Why season 2 was not suitable for watching by teenagers (something
about their brains not being fully developed to process the subject matter),
and furthermore, not suitable for anyone. Well, that just made me all the more
eager to watch it and experience whatever that scene was that is so dark and
terrible that it bothered her and no doubt so many others. I even asked my
friends on Facebook not to post spoilers because I wanted to have that raw,
emotional experience. But I have very little will power, and in a matter of
hours, I deliberately accessed spoiler info on the infamous last episode
because I simply had to know what happened. While getting that spoiler info, I
also read the show’s creator defend the scenes in question, and the defenses rang
true for me, especially after actually watching it. Warning: This essay gives
out spoilers; it is intended for people who have either already watched the
show or do not plan to. Or if you don’t care.
For a good
portion of the season, I kind of agreed that the show wasn’t suitable for
watching, but for reasons of quality, not content. I felt like the first few
episodes were unrehearsed and rushed. (I don’t do film or TV,
but I have heard that there is a little bit of rehearsal for scenes.) The directing choices seemed phoned in, and
the acting bordered on melodrama. (There’s that overwrought scene in episode two where
Clay slowly builds up to a tortured scream at Hannah, for instance.) And I was
really surprised because while I had issues with the first season, none of them
pertained to performances. In fact, I remember saying something like, “This is
the next generation of great actors.” I felt like I was eating my words.
As for
story, it was confusing. The first season had two timelines. The second season
added a lot of other scenes that took place in various times, to the extent
that you lost track of where each scene was supposed to fall in the overall
chronology. You had to ask yourself, “Okay, did this happen before or after
that other thing that happened?” And if an exchange between Hannah and another
character took place AFTER the event described in that character’s tape in
season 1, why wasn’t this info included in the tape? To add to the confusion,
we had scenes that were not real, but imagined, and we had fake flashbacks told
by liars in court. Sometimes it was clear what was real; sometimes it was less
clear. And I can see somebody saying, “Well, that’s intentional because it’s
supposed to be confusing for the characters to sort out.” No, having your
characters confused does not mean you want your audience confused too, no matter
what Christopher Nolan might say.
Then you have this running
voice-over narration that works very differently from Hannah’s voice narrating
the tapes. And what I mean by “works differently” is that it doesn’t work. You’ve
got a character testifying in court—usually in the form of Poetic Life
Reflections—and while you’re listening to that, you see scenes play out that
don’t actually involve the character who’s talking. It’s clear that the
filmmakers are trying to match the scenes thematically with the narration, but
the narration only serves as a distraction. And it just keeps going on and on
throughout each episode, stopping occasionally when we need to hear dialogue
for a scene. Then it starts up again and you’re like, “Really? Is this person
still talking? Was I supposed to be paying attention to what they were saying
this whole time?” Every once in a while, there will be a kernel of real truth or insight spoken, and then you wish they had only included that and left out the rest.
I’ve never been to a trial, but it
is hard to imagine a more callous and insensitive attorney than the one hired
by the school. All of these kids have been through trauma. She badgers them as if they all committed a rape, when only one of them has. They lost someone
special to them, but she drags her through the mud, in front of her
still-grieving mother. I know what they say about lawyers but it’s hard for me
to imagine these court scenes playing out this way in real life. The school and
the court would try to come off as sympathetic, at least. I actually think
these teens would be treated more with kid gloves considering the
circumstances. I could be wrong, but the over-the-top bitchiness of this
attorney made these scenes really hard for me to swallow. The court scenes were
the worst part of this season.
Some characters that I loved in
season 1 (like Clay), I hated in season 2. And some characters I didn’t like in
season 1 (like Alex), I loved in season 2. Weird. But now I’m starting to delve
into areas that required me to watch the entirety of the season before they
made sense and I could see the reasoning behind them.
One of the judgements I made about
season 1 was that the show seemed to think it was all right to blame people for
someone else’s ill-fated decisions. I judged Hannah for being so judgmental to
her friends and classmates. But in season 2, you’re presented with the possibility
that Hannah may not have intended the tapes to be heard by all of their
subjects, and that this decision was made by Tony. Hannah wasn’t looking for
revenge, only an outlet for her pain. And the revenge, gossip, broken
friendships, lies, betrayals, violence, and all the other chaos that ensued were
not what she intended. And you see Clay lashing out at Hannah with these same
accusations that I had, call her evil and saying he could not forgive her. Of
course, he did, eventually, which is good. And I forgave the writers of this
show for a message that was muddled in season 1, but clarified in season 2.
In season 1, the characters were all
kind of hot and cold, Jekyll and Hyde. They were good, then they were bad. Then
with the sting of remorse and regret, they were good again. But in season 2,
you see the characters as much more complex and nuanced. They all pretty much
run the gamut in terms of morality, which is much more true to life. In season
1, Clay was the hero that you identified with, and you wanted to comfort his
pour sad soul. In season 2, he is a completely self-absorbed whiner who really
doesn’t contribute much. Until the end, that is. It takes him the entire season
to snap out of his selfishness and see someone else’s pain.
That someone else is Tyler Down. A
case could be made that season 2 is perhaps more his story than anyone else’s.
And he isn’t really a very likable guy, and I think that’s part of the point.
People don’t like him, which adds to his mistreatment by his classmates. Even
we, the audience, don’t like him very much so we’re tempted not to care what
happens to him. But some surprising things happen, and we are drawn in. He
makes a new friend, Cyrus (a great character, by the way) and his sister, who
he’s got a thing for. He has a taste of what it’s like to have a social life.
But of course he screws it up because…well, he just doesn’t know how to do it.
He’s used to being a loner; that’s all he knows. But you see these moments of
happiness, and it’s really great. Which makes the sad things that follow all the
more devastating. When he comes back after being sent away, he seems to be on a
good track all of a sudden. He even looks better; the hair cut does him good.
But the girl has moved on, and so has Cyrus. So now he’s alone again. Then the
infamous scene happens with the mop handle rape, and that flips his switch.
What switch, you might ask. It’s the switch that gets flipped when someone ends
up taking a gun to school to go on a rampage. (I’m not saying it’s anyone’s
fault, just like Hannah’s suicide isn’t anyone’s fault, but in both cases, a
series of factors worked together to create the perfect storm.)
What makes this episode so moving to watch is
that the students at the dance get tipped off to the fact that Tyler is on his
way to shoot up the school. Clay, having escaped his own mind-prison,
single-handedly goes out to risk his life, trying to stop him. And in the
process, Clay admits that he bullied Tyler too (another gripe I had with season
1). He sees Tyler not as a potential monster, but as a human being, very much
victimized himself. If he were to go into that school and start shooting, he
would not be worthy of anyone’s pity. But until that happened, he was a
desperate kid who needed help. Clay saw that. The producers of this show saw
that. And it’s the only example of a show or film I can think of that offers
this perspective. What a timely and much needed message: the idea that you can prevent a tragedy by being kind. In the wake of the Parkland shooting, I actually read remarks from people that denied this premise, a fact that grieved me quite a bit.
If there’s a season 3, we’ll learn
if there’s any redemption for Tyler. Redemption was a theme in season 2, but
not really until the last few episodes. Clay asks a pastor if he thinks God will
forgive him and his classmates, and the pastor gives a wishy-washy answer with
not a single mention of Jesus Christ. Well, I'm used to that in our modern culture. In other news, guidance counselor Porter is totally
redeemed in season 2; I liked him a lot here. Justin is both rescued and
redeemed by Clay’s family, but it will be interesting to see how his continued
drug use will complicate those new and vital relationships. Alex suddenly seems
like a real person in season 2, though his constant declarations that he’s “broken”
get tiresome. I love his developing bromance with Zach. The scene in the locker
room where they fight and then Alex gets a boner is probably my favorite scene
in the season. I have no illusions about Alex being gay or even bisexual, but
it will be interesting to see what happens when he finds out about Jessica’s
betrayal in the locker room with Justin during the dance.
This show would be stronger and
better if there were more happy moments like the Alex/Zach and Tyler/Cyrus
friendship scenes. I know we’re doing Important Teen Drama, and teen’s lives
are supposed to be so dramatic. But if every page in your story is sad, your
audience can get bored with that one note. What would happen if next season,
you had all the same characters, but they were relatively stable, dealing with
regular teenage stuff, people laughed a lot, and the whole world wasn’t at
stake?
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